A sitar workshop in Islamabad
Muhammad Iqbal, the national poet of Pakistan
Pakistani society is largely
hierarchical, with high regard for traditional Islamic values, although urban families have grown into a nuclear family system because of the socio-economic constraints imposed by the traditional
joint family system.
[102] Recent decades have seen the emergence of a middle class in cities like Karachi, Lahore, Rawalpindi, Hyderabad, Faisalabad, and Peshawar that wish to move in a more centrist direction, as opposed to the northwestern regions bordering Afghanistan that remain highly conservative and dominated by centuries-old regional
tribal customs. Increasing globalization has resulted in ranking 46th on the
A.T. Kearney/
FP Globalization Index.
The variety of Pakistani music ranges from diverse provincial folk music and traditional styles such as Qawwali and Ghazal Gayaki to modern forms fusing traditional and western music, such as the synchronisation of Qawwali and western music by the world renowned Nusrat Fateh Ali Khan. In addition Pakistan is home to many famous folk singers such as the late Alam Lohar, who is also well known in Indian Punjab. However, majority of Pakistanis listen to Indian music produced by Bollywood and other Indian film industries. The arrival of Afghan refugees in the western provinces has rekindled
Pashto and
Persian music and established Peshawar as a hub for Afghan musicians and a distribution centre for Afghan music abroad.
[104] State-owned Pakistan Television Corporation (PTV) and Pakistan Broadcasting Corporation were the dominant media outlets, but there are now numerous private television channels. Various American, European, and Asian television channels and films are available to the majority of the Pakistani population via private Television Networks,
cable, and satellite television. There are also small indigenous film industries based in Lahore and Peshawar (often referred to as Lollywood). And while Bollywood films have been banned from being played in public cinemas since 1965 they have remained popular in popular culture.
[105] 
Data Durbar in Lahore is the tomb of
Ali Hajweri, eleventh century Sufi.
The architecture of the areas now constituting Pakistan can be designated to four distinct periods — pre-Islamic, Islamic, colonial and post-colonial. With the beginning of the
Indus civilization around the middle of the 3rd millennium
[106] B.C., an advanced urban culture developed for the first time in the region, with large structural facilities, some of which survive to this day.
Mohenjo Daro, Harappa and Kot Diji belong to the pre-Islamic era settlements. The rise of Buddhism and the Persian and Greek influence led to the development of the Greco-Buddhist style, starting from the 1st century CE. The high point of this era was reached with the culmination of the Gandhara style. An example of Buddhist architecture is the ruins of the Buddhist monastery Takht-i-Bahi in the northwest province. The arrival of Islam in today's Pakistan meant a sudden end of Buddhist architecture.
[108] However, a smooth transition to predominantly pictureless Islamic architecture occurred. The most important of the few completely discovered buildings of Persian style is the tomb of the Shah Rukn-i-Alam in Multan. During the Mughal era design elements of Islamic-Persian architecture were fused with and often produced playful forms of the Hindustani art. Lahore, occasional residence of Mughal rulers, exhibits a multiplicity of important buildings from the empire, among them the
Badshahi mosque, the fortress of Lahore with the famous Alamgiri Gate, the colourful, still strongly Persian seeming Wazir Khan Mosque as well as numerous other mosques and mausoleums. Also the Shahjahan Mosque of Thatta in Sindh originates from the epoch of the Mughals. In the British colonial period, predominantly functional buildings of the Indo-European representative style developed from a mixture of European and Indian-Islamic components. Post-colonial national identity is expressed in modern structures like the Faisal Mosque, the Minar-e-Pakistan and the Mazar-e-Quaid.
A Kalash man dances during the
Uchau Festival.
The
literature of Pakistan covers the literatures of languages spread throughout the country, namely Urdu, Sindhi, Punjabi, Pushto, Baluchi as well as English in recent times and in the past often Persian as well. Prior to the 19th century, the literature mainly consisted of lyric poetry and religious, mystical and
popular materials. During the colonial age the native literary figures, under the influence of the western literature of realism, took up increasingly different topics and telling forms. Today, short stories enjoy a special popularity.
[110] The national poet of Pakistan,
Allama Muhammad Iqbal, suggested the creation of a separate homeland for the Muslims of India. However, Iqbal had also wrote the
Tirana-e-Hind which stated the belief of a strong united India. His book The Reconstruction of Religious Thought in Islam is a major work of modern Islamic philosophy. The most well-known representative of the contemporary Urdu literature of Pakistan is Faiz Ahmed Faiz.
Sufi poetry
Shah Abdul Latif, Bulleh Shah and
Khawaja Farid are also very popular in Pakistan.
[111] Mirza Kalich Beg has been termed the father of modern Sindhi prose.
National Symbols of Pakistan
